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Laurent Pernice, is an atypical musician,
who comes from the great cold of industrial music. He seems equally at with electronic
music, stage music, film music or even world music. The music on Sophocles’ Antigone
(Theatre play by Anima Motrix) , which released on CD on the Italian label ADN (which
had already released the music for Corps Utopique, in 2022) is his twentieth
album. And that's not counting the many
albums he has contributed to, such as those by Palo Alto, an equally atypical group with
close ties to science fiction literature. After an extreme exploration of wind instruments from all over the world (hulusi,
khen, rhadong, cromorne or moceño) for Le Corps Utopique, Laurent Pernice is
now tackling strings. And especially the viola of Violaine Sutan, a teacher at
the Marseille Conservatory of Music, who was willing to play along with the
composer's penchant for experimentation. The sound of her instrument, while
sometimes very clear and simple, interpreting melodies of a elegant beauty akin
to that of classical music, is often turned on its head, slowed down, overdriven,
to create textures conducive to the atmosphere of this or that part of the
play. It is in these experiments that the music of Antigone breaks away from
purely illustrative music to become a personal album in its own right by Laurent
Pernice. Instrumentally, he takes an active part in the performance, playing
bass, double bass, zither and harp himself... At times reminiscent of the
atmospheres created by John Lurie for Jim Jarmusch's film Stranger Than
Paradise, the tracks on the CD follow one another to build a kind of abstract
narrative, as if to recreate the continuity of Sophocles' play without the
text. They take you on a journey of an absolute tragedy, while revealing the
infinite complexity of the human being.
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